About a week after our first Zoom consultation, it was time for round two. I hop on Zoom and Dittmer walks me through myHeart Scooby Doo 51th Anniversary 1969 2020 Thank You For The Memories Shirt in addition I really love this “curated digital boutique.” The PDF includes an extensive list of about 12 sustainable brands, all tailored to my personal taste and needs. Dittmer includes a description of each brand, as well as styling advice: she curated mood boards using photos of my own wardrobe pieces, and then mixed them in with pieces from each sustainable brand, to inspire outfit ideas. Dittmer introduces me to basics brands such as Atelier Phi, a Swedish brand. “They’re less than 2 years old, and they make garments out of recycled cashmere and merino wool,” she says. She also envisions me wearing pieces from South Africa’s Maxhosa and Nigeria’s Orange Culture, two menswear brands focused on small supply chains and eco-friendly textiles. “Orange Culture is androgynous and streetwear driven,” she says. She even found me a heeled boot brand—my go-to shoe—called Kiing Daviids. All their boots are custom and made-to-order. Having a rich selection of eco-conscious brands to go off, I then log off Zoom and begin browsing for basics. There turns out to be a surprisingly large amount of options.
Growing up on Nipissing First Nation, my traditional territory, I remember that my aunties would always be cooking or making something. On my mom’s side, I come from a large family of 18 aunts and uncles—we’re one big, loud, crazy Ojibwe family—and we would often all gather at my grandmother Leda’s house. There, my aunties would often be sewing or making quilts, dream catchers, moccasins, or mittens for the Heart Scooby Doo 51th Anniversary 1969 2020 Thank You For The Memories Shirt in addition I really love this winter, or even regalia for those of my cousins who dance in powwows. I was brought up around the idea of maintaining traditional craftwork. Indigenous design isn’t relegated to historical artifacts; traditional techniques such as beadwork, quillwork, and hide tanning are still being innovated upon and incorporated into the work of Indigenous artists today. It never dawned on me that people don’t know that Indigenous goods are, yes, still being made. I recently gifted a friend a dream catcher made by my aunt, and she couldn’t believe it was completely handmade. Lack of visibility has perpetuated this idea. Many Indigenous artists or designers live in remote areas and for a long time have not had the resources, or technology, to sell their work on a global scale. This is true even for my own family. While my aunties always had no problem selling their items among family members—someone is always looking for something—they primarily sold their work on the powwow circuit, or through good ol’ word of mouth.